Why do scholars consider the three perfections between the tank and ming dynasty’s?
Scholars consider the three perfections (painting, calligraphy, and poetry) to be particularly important during the Tang and Ming dynasties because these artistic practices reached new heights of sophistication and creativity during these periods. Tang Dynasty (618-907) China was a time of great cultural and artistic flourishing, with the establishment of an imperial painting academy and the development of a distinct Chinese style of landscape painting. Similarly, calligraphy became highly valued as a form of artistic expression and was practiced by scholars and officials alike.
During the Ming Dynasty (1368-1644), the three perfections continued to be highly valued, with artists such as Shen Zhou and Wen Zhengming producing exquisite works that combined painting, calligraphy, and poetry. The Ming Dynasty was a time of artistic innovation and experimentation, with artists exploring new techniques and styles in all three disciplines.
Overall, the three perfections were considered to be central to Chinese artistic practice during the Tang and Ming dynasties because they represented the highest forms of cultural achievement and creativity. By combining painting, calligraphy, and poetry, artists were able to fully express themselves and create works of lasting beauty and significance.