Research Portfolio
How does the idea of the monster / supernatural evolve throughout the time periods and works we’ve studied this year
Introductory Paragraph:
a sentence or two - general, interesting statement about the topic
Connecting Sentence(s) - could be background information about your topic
the argument you are making about your topic
3 MAIN POINTS
Supporting Paragraph 1:
Transition Word
Main Point #1
1st Piece of Evidence
Explanation of Evidence in your own words (how does it support your thesis?)
2nd Piece of Evidence (needs to be from a different source than 1st piece of evidence)
Explanation of Evidence in your own words (how does it support your thesis?)
Supporting Paragraph 2:
Transition Word
Main Point #2
1st Piece of Evidence
Explanation of Evidence in your own words (how does it support your thesis?)
2nd Piece of Evidence (needs to be from a different source than 1st piece of evidence)
Explanation of Evidence in your own words (how does it support your thesis?)
Supporting Paragraph 3:
Transition Word
Main Point #3
1st Piece of Evidence
Explanation of Evidence in your own words (how does it support your thesis?)
2nd Piece of Evidence (needs to be from a different source than 1st piece of evidence)
Explanation of Evidence in your own words (how does it support your thesis?)
Conclusion:
Transition Word + Restate your thesis:
Summarize Your 3 Main Points
Connect Everything to the BIG PICTURE - Why does it matter? What lesson can be learned?
The tyger
The lamb
The chimney sweeper
Coolridge samuel taylor
The rime of ancient mariner
Kubla khan the rime of the ancient mariner
Frankenstein
7 work cite pages MLA format
followed by 7 in-text citation in proper MLA format
The concept of the monster/supernatural has evolved significantly throughout the time periods and works we have studied this year. From the innocent and pure image of the lamb in William Blake's poetry to the mysterious and haunting figure of the Ancient Mariner in Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" to the creation of the monster in Mary Shelley's "Frankenstein," the representation of the monster/supernatural has shifted from being purely evil to being more complex and nuanced.
Firstly, in William Blake's poems "The Tyger" and "The Lamb," the representation of the monster/supernatural is seen as both menacing and gentle. In "The Tyger," the tiger symbolizes a powerful and fearsome force, while in "The Lamb," the lamb represents innocence and purity. This duality in the representation of the monster/supernatural highlights the complexities of human nature and the world.
Secondly, in Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," the character of the Ancient Mariner embodies both the supernatural and the monstrous. He is cursed by his actions and haunted by the consequences, making him a tragic figure who is both feared and pitied. This nuanced portrayal of the monster/supernatural challenges traditional notions of good and evil.
Lastly, in Mary Shelley's "Frankenstein," the creation of the monster blurs the lines between man and monster. The creature is initially portrayed as a terrifying and grotesque figure, but as the novel progresses, he is shown to be capable of deep emotion and self-awareness. This complex portrayal of the monster challenges the idea of what it means to be human and the consequences of playing god.
In conclusion, the evolution of the idea of the monster/supernatural throughout the time periods and works we have studied this year highlights the complexities of human nature and the world. By exploring the different facets of the monster/supernatural, we are able to gain a deeper understanding of ourselves and the world around us. These works serve as cautionary tales and reminders of the power of creation and the consequences of our actions.
Work Cited:
Blake, William. Songs of Innocence and of Experience. 1789, The William Blake Archive, http://www.blakearchive.org/exist/blake/archive/work.xq?workid=songsie.
Coleridge, Samuel Taylor. "The Rime of the Ancient Mariner." Lyrical Ballads, 1798.
Shelley, Mary. Frankenstein. 1818.
In-text citations:
(Blake)
(Coleridge)
(Shelley)