My transcendentalist world view is evident in my journal, Walden. I am hailed the Father of Free Verse. The following passage exemplifies my writing style: "A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back. For a brief moment I hesitated—I trembled. Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I replied to the yells of him who clamoured. I re-echoed—I aided—I surpassed them in volume and in strength. I did this, and the clamourer grew still The following passage exemplifies my writing style: " The sexton stood in the porch of Milford meeting-house, pulling busily at the bell-rope. The old people of the village came stooping along the street. Children, with bright faces, tripped merrily beside their parents, or mimicked a graver gait, in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper’s door. The first glimpse of the clergyman’s figure was the signal for the bell to cease its summons." Nathaniel hawthorne, edgar allan poe, herman melville, Henry david thoreau, ralph waldo emerson, walt whitman

Question

My transcendentalist world view is evident in my journal, Walden. I am hailed the Father of Free Verse. The following passage exemplifies my writing style: "A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back. For a brief moment I hesitated—I trembled. Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I replied to the yells of him who clamoured. I re-echoed—I aided—I surpassed them in volume and in strength. I did this, and the clamourer grew still The following passage exemplifies my writing style: " The sexton stood in the porch of Milford meeting-house, pulling busily at the bell-rope. The old people of the village came stooping along the street. Children, with bright faces, tripped merrily beside their parents, or mimicked a graver gait, in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper’s door. The first glimpse of the clergyman’s figure was the signal for the bell to cease its summons." Nathaniel hawthorne, edgar allan poe, herman melville, Henry david thoreau, ralph waldo emerson, walt whitman

Answer 1

The passage with the writing style of "A succession of loud and shrill screams..." is from the short story "The Pit and the Pendulum" by Edgar Allan Poe.

The passage with the writing style of "The sexton stood in the porch of Milford meeting-house..." is from the short story "The Minister's Black Veil" by Nathaniel Hawthorne.

Answer 2

The passage you provided does not match the writing style of any of the authors you mentioned. It appears to be an excerpt from Edgar Allan Poe's short story "The Cask of Amontillado." Poe was known for his dark and macabre themes, as well as his use of gothic elements in his writing.

However, since you mentioned Walden and being hailed as the Father of Free Verse, I can provide some information about Henry David Thoreau and Walt Whitman.

Henry David Thoreau was an American transcendentalist writer known for his book Walden, in which he documented his two-year experience living in a cabin in the woods. Thoreau advocated for a simple and self-sufficient lifestyle in nature, emphasizing the importance of individuality and nonconformity.

Walt Whitman, on the other hand, is considered one of the most influential American poets and is often hailed as the Father of Free Verse. He is known for his collection of poems called Leaves of Grass, which showcases his unique style of writing without traditional rhyme or meter. Whitman's poetry celebrated democracy, nature, and the human body, often portraying a sense of unity and interconnectedness.

To determine the author of a specific passage, it is helpful to analyze the writing style, thematic elements, and context.

Answer 3

Based on the given passage and the information provided, it is clear that the author of the first passage is Edgar Allan Poe. The passage showcases Poe's distinct writing style characterized by vivid and gothic imagery, suspenseful narrative, and a focus on the darker aspects of human psychology.

The second passage, on the other hand, reflects the writing style of Nathaniel Hawthorne. It demonstrates his use of descriptive language, attention to detail, and exploration of moral and psychological themes. The passage captures Hawthorne's ability to create a serene and atmospheric setting while also hinting at underlying tensions and complexities.

The other authors mentioned in the list are:

- Henry David Thoreau: Known for his transcendentalist philosophy and his work "Walden," which is a reflection on simple living and self-reliance.

- Ralph Waldo Emerson: A prominent figure in the transcendentalist movement, known for his essays and speeches that expressed the belief in the inherent goodness of humanity and the importance of individuality.

- Walt Whitman: Regarded as the father of free verse, Whitman's writing style was characterized by its long lines, unconventional meter, and celebration of democracy, nature, and the individual.

- Herman Melville: Not represented by the given passages, Melville was an American novelist known for his masterpiece "Moby-Dick," which delves into themes of obsession, fate, and the human condition.