Gwendolyn Brooks (1917-2000) was an American poet, author, and teacher. In this short story, a family contemplates losing their house.


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by Gwendolyn Brooks


[1] What had been wanted was this always, this always to last, the talking softly on this porch, with the snake plant in the jardinière(1) in the southwest corner, and the obstinate(2) slip from Aunt Eppie’s magnificent Michigan fern at the left side of the friendly door. Mama, Maud Martha, and Helen rocked slowly in their rocking chairs, and looked at the late afternoon light on the lawn and at the emphatic(3) iron of the fence and at the poplar tree(4). These things might soon be theirs no longer. Those shafts and pools of light, the tree, the graceful iron, might soon be viewed passively by different eyes.


Papa was to have gone that noon, during his lunch hour, to the office of the Home Owners’ Loan. If he had not succeeded in getting another extension, they would be leaving this house in which they had lived for more than fourteen years. There was little hope. The Home Owners’ Loan was hard. They sat, making their plans.


“We’ll be moving into a nice flat somewhere,” said Mama. “Somewhere on South Park, or Michigan, or in Washington Park Court.” Those flats, as the girls and Mama knew well, were burdens on wages twice the size of Papa’s. This was not mentioned now.


“They’re much prettier than this old house,” said Helen. “I have friends I’d just as soon not bring here. And I have other friends that wouldn’t come down this far for anything, unless they were in a taxi.”


[5] Yesterday, Maud Martha would have attacked her. Tomorrow she might. Today she said nothing. She merely gazed at a little hopping robin in the tree, her tree, and tried to keep the fronts of her eyes dry.


“Well, I do know,” said Mama, turning her hands over and over, “that I’ve been getting tireder and tireder of doing that firing. From October to April, there’s firing to be done.”


“But lately we’ve been helping, Harry and I,” said Maud Martha. “And sometimes in March and April and in October, and even in November, we could build a little fire in the fireplace. Sometimes the weather was just right for that.”


She knew, from the way they looked at her, that this had been a mistake. They did not want to cry.

But she felt that the little line of white, sometimes ridged with smoked purple, and all that cream-shot saffron(5) would never drift across any western sky except that in back of this house. The rain would drum with as sweet a dullness nowhere but here. The birds on South Park were mechanical birds, no better than the poor caught canaries in those “rich” women’s sun parlors.


[10] “It’s just going to kill Papa!” burst out Maud Martha. “He loves this house! He lives for this house!”


He lives for us,” said Helen. “It’s us he loves. He wouldn’t want the house, except for us.”


“And he’ll have us,” added Mama, “wherever.”


“You know,” Helen sighed, “if you want to know the truth, this is a relief. If this hadn’t come up, we would have gone on, just dragged on, hanging out here forever.”


“It might,” allowed Mama, “be an act of God. God may just have reached down and picked up the reins.”


[15] “Yes,” Maud Martha cracked in, “that’s what you always say — that God knows best.”


Her mother looked at her quickly, decided the statement was not suspect, looked away.


Helen saw Papa coming. “There’s Papa,” said Helen.


They could not tell a thing from the way Papa was walking. It was that same dear little staccato(6) walk, one shoulder down, then the other, then repeat, and repeat. They watched his progress. He passed the Kennedys’, he passed the vacant(7) lot, he passed Mrs. Blakemore’s. They wanted to hurl themselves over the fence, into the street, and shake the truth out of his collar. He opened his gate — the gate — and still his stride and face told them nothing.


“Hello,” he said.


[20] Mama got up and followed him through the front door. The girls knew better than to go in too.


Presently Mama’s head emerged. Her eyes were lamps turned on.


“It’s all right,” she exclaimed. “He got it. It’s all over. Everything is all right.”


The door slammed shut. Mama’s footsteps hurried away.


“I think,” said Helen, rocking rapidly, “I think I’ll give a party. I haven’t given a party since I was 11. I’d like some of my friends to just casually see that we’re homeowners.”


Footnotes:

1. French for “planter”

2. Obstinate (adjective) stubbornly refusing to change

3. Emphatic (adjective) attracting special attention

4. A type of quick-growing tree

5. An orange to orange-yellow

6. Short, quick, and separate

7. Vacant (adjective) not filled, used, or lived in





Question:

Imagine how the story would be different if it were told from the point of view of the character, Papa. Using the information from the passage, rewrite the ending of the story starting from when Papa walks home (Paragraph 17). Make sure that you provide dialogue from the characters (Papa, Mama, Maud Martha, or Helen), and use sensory details and language to capture the action of the story. Stay true to the author’s voice and style. You should have a minimum of 300 words. Be mindful of conventions, so that they do not interfere with meaning.

Bot GPT 3.5 Bot GPT 3.5 answered
2 months ago

Papa walked home with a heavy heart, each step feeling like a burden on his shoulders. He knew what awaited him when he reached his family, and the thought weighed heavily on his mind. The cool breeze of the evening seemed to whisper doubts in his ear, making him second-guess his ability to provide for his loved ones.

As he passed each familiar house on the block, he couldn't help but wonder if this would be the last time he walked these streets as a homeowner. The uncertainty gnawed at him, and he quickened his pace, eager to face whatever awaited him at home.

When he finally reached his gate, he saw his family waiting for him with anxious expressions. The tension in the air was palpable, and he braced himself for the worst as he opened the gate and walked towards his loved ones.

“Hello,” he greeted them, trying to mask the unease in his voice.

Mama got up and followed him into the house, leaving the girls outside. Papa stood there, fidgeting with his hands, waiting for any sign of what was to come.

After what felt like an eternity, Mama's head emerged from the doorway, her eyes shining with joy.

“It’s all right,” she exclaimed, relief evident in her voice. “He got it. It’s all over. Everything is all right.”

Papa felt a rush of emotions flood through him – gratitude, relief, and above all, love for his family. He couldn't contain his happiness as he embraced each of them, feeling the weight of uncertainty lift off his shoulders.

“I think,” said Helen, rocking back and forth in her chair, “I think I’ll give a party. I haven’t given a party since I was 11. I’d like some of my friends to just casually see that we’re homeowners.”

Papa smiled at his daughter's excitement, grateful for the chance to celebrate with his family in their beloved home. As the evening sun bathed them in a warm glow, he knew that no matter what challenges they faced in the future, they would always have each other.

And for Papa, that was all that truly mattered.

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